review: “the cher show” on broadway, bitches
Christian Lewis2019-04-18T16:50:43-04:00On the surface, “The Cher Show” falls into every pitfall
’tis the season of the lesbian at “the prom”
Christian Lewis2019-03-30T13:37:06-04:00Broadway musicals are finally starting to have more representation of
review: “american son” and the problem of problem plays
Christian Lewis2019-04-18T16:36:38-04:00Christopher Demos-Brown’s new play “American Son” which opened at the
in defense of “king kong,” or why critics shouldn’t enjoy being mean
Christian Lewis2019-04-18T16:39:57-04:00Let me start by saying that “King Kong” is not
the prom: broadway’s saccharine yet entertaining coming out
James Demmin-De Lise2019-05-26T15:16:57-04:00The Prom may be a little cheesy and a little overly
review: raúl esparza stars in an eerily relevant “arturo ui”
Christian Lewis2019-04-18T16:40:55-04:00Bertolt Brecht’s 1941 allegory play “The Resistible Rise of Arturo
review: elaine may gives a masterful performance in “the waverly gallery”
Christian Lewis2019-04-18T16:42:39-04:00Kenneth Lonergan’s “The Waverly Gallery” now on Broadway at the
a “torch song” for today
Christian Lewis2019-03-30T13:42:32-04:00On the one hand, Harvey Fierstein’s “Torch Song” can seem
bww column: an apologia for apologia: roundabout’s new play features complex female characters
Christian Lewis2019-04-18T16:37:28-04:00apologia: (noun) a formal written defense of one's opinion; a
review: “the ferryman” is full of whiskey, children, and the ira
Christian Lewis2019-03-30T13:43:37-04:00Broadway plays of the current generation seem to all have